![]() ![]() A potential solution to this issue may be found within the theory and practice of design, which, through an appreciation of the form and content of its own process and outputs, moves away from the image of an individual creator who preconceives forms in advance of their technical implementation. Such relations are found to be incompatible with current theories of organizational creativity, which fail to recognise both the role of technical objects and their attendant techniques, resulting in an incomplete account of how creative outcomes are achieved. It is argued that a consideration of technique reveals the hybrid relations formed between humans and technical objects within the process of production. Taking the figure of Daedalus as an eponym for technical activity, this study asks how technique can be understood as contributing toward creative practice. This study proposes an alternative vision of organizational creativity by examining the hidden nature of technique and its role within the production of new things. ![]()
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